Each Thing has its Spectralsignature The resoluteness of artist to express all ofhis experiences by constant use of single element is alwaysfascinating. But, in one of the texts written in spirals, ManuelaVladic annotate: “The artist sees things each time as if hesees them for the first time ( or he consciously exerthimself)… “, and thus […] Više
In her art work Vlasta Delimar conquers space of the event no matter if it is single work of art, which applications and attachments convert them into installations, or performance and ambient exhibition. Ambient in the Gallery “Miroslav Kraljevic” develops from the most infrequently used gallery space. Walls, floor and lower half of the space […] Više
Fiat Lux…. ….””and God saw that the light was good” says the Bible. Then God separated the light from the darkness, and the light was called the Day, and the darkness was called the Night. So much for the Bible. Later, much later after the Biblical period, the human mind realized that things with the […] Više
Eugen Vodopivec BorkovskyBorn 1956 in Opatija, He studied visual arts onTeachers-training College in Rijeka. He is member of variousAssociations of Visual artists in Croatia, Active in the fieldsof graphic design, scenography and heraldic. Since 1989 he livesand works in solitary town Grimalda in central Istria. Više
Scenic Views
The art of scene is an important element in the art of Michael Schuster. From his first collaboration with the sculptor Hartmut Skerbisch Szene aus dem gleichnamigen Stück (Scene from the piece with the same name) to his travels to the top scenic views of the 50 states of USA. In the […] Više
Adopting the aggressive operative discourse so efficaciously utilised in public relations, Ines Krasić has from the very beginning established important strategic control over the major communicational potential of her art. In consequence, her work is characterised by, extremely subtle manipulative seductiveness, which in its final stage, the conquest of the audience, achieves more than admirable […] Više
