Is Kristijan Kožul the most radical Croatian artist of the moment? His works and exhibitions forced both audience and critics to question their opinions about the whole range of categories that they use to judge the merit of somebody’s artistic work. Lets start from the liking. You like it or you don’t – these are […] Više
Through his artistic practice Carl Michael von Hausswolff intensifies the idea of existence of the other, parallel world that can be discerned through cracks in the objective perception. This process aims at no demystification of unknown and (un)touchable, but at adding value to the existing structures of judgment, watching and seeing, listening and hearing. Forming […] Više
Album of the Non-existent Antiquities
Even when it sought the fragment “anarchy” in the structure of collage, the art of Tomislav Čeranić always expressed the need for order, regularity, harmony, subordination of the parts in a whole. When I presented the cycle of collages L’age d’or in 1996 I have noticed that this artist […] Više
The perception of the transformation of visible reality is one of the elements that directly touch upon POKRIVENO/COVERED, a cycle of photographs by Jasenko Rasol. The photographs have been taken in the past six years; they are a statement on the modern society, the process whereby an author notes and expresses an idea and observation […] Više
Recitativo: Of Divas and Dishes Emotion can erupt in strange places–from the kitchen sink to the calm woods. When created through a mechanical apparatus this evocation raises questions about where the generative force lies. Is genius God-given, or does it gather force in the process or the product of art-making? Is it only found in […] Više
The exhibition “Yes, movie” presents the most recent photographs by Rino Efendić densely installed in the gallery, almost without gaps, if not for a thin white margin. The artist has for the first time created a cycle organized as a film, incomparably more story-telling than his other works which were almost “tong-tied” in the narrative […] Više
