{"id":5488,"date":"2006-10-17T00:00:00","date_gmt":"2006-10-16T22:00:00","guid":{"rendered":"http:\/\/gmk.esbe.com.hr\/news\/maja-marjancic-nikolina-prista1-nenad-romic-gifo\/"},"modified":"2006-10-17T00:00:00","modified_gmt":"2006-10-16T22:00:00","slug":"maja-marjancic-nikolina-prista1-nenad-romic-gifo","status":"publish","type":"post","link":"https:\/\/g-mk.hr\/en\/news\/maja-marjancic-nikolina-prista1-nenad-romic-gifo\/","title":{"rendered":"maja marjancic | nikolina pristas | nenad romic: gifoskop"},"content":{"rendered":"<p>\/ interactive movement animation<\/p>\n<p>&#13;<\/p>\n<p>Gifoskop is an experiment that manifests the relations between what is perceived as the basic elements of dance: locomotion, composition and its visuality. It is also an analytic means for communicating dance procedures between dancers and non-dancers. Gifoskop enables the non-dancing body to animate its creative and performative mechanisms in dancing.<\/p>\n<p>&#13;<\/p>\n<p>Gifoskop is an interactive animation-motoric installation which reanimates movement\/dance and returns it to its space-time\/performative medium. <br \/>As a trace\/excerpt of a movement, gif signifies the interupted body-space position which is, in a way, the origin of movement that is animated in order to create an illusion of movement\/dance. <br \/>Gif also communicates information that the dancer uses in creating and performing a movement \/ dance, which the visitor adopts and performs in the act of reanimating movement. <\/p>\n<p>concept and performance:<\/p>\n<p>| Maja Marjancic<br \/>|&nbsp;Nikolina Pristas&nbsp;<br \/>| Nenad Romic<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\/ interactive movement animation &#13; Gifoskop is an experiment that manifests the relations between what is perceived as the basic elements of dance: locomotion, composition and its visuality. It is also an analytic means for communicating dance procedures between dancers and non-dancers. Gifoskop enables the non-dancing body to animate its creative and performative mechanisms in [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4560,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-5488","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/g-mk.hr\/en\/wp-json\/wp\/v2\/posts\/5488"}],"collection":[{"href":"https:\/\/g-mk.hr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/g-mk.hr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/g-mk.hr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/g-mk.hr\/en\/wp-json\/wp\/v2\/comments?post=5488"}],"version-history":[{"count":0,"href":"https:\/\/g-mk.hr\/en\/wp-json\/wp\/v2\/posts\/5488\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/g-mk.hr\/en\/wp-json\/wp\/v2\/media\/4560"}],"wp:attachment":[{"href":"https:\/\/g-mk.hr\/en\/wp-json\/wp\/v2\/media?parent=5488"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/g-mk.hr\/en\/wp-json\/wp\/v2\/categories?post=5488"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/g-mk.hr\/en\/wp-json\/wp\/v2\/tags?post=5488"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}