{"id":5542,"date":"2008-01-28T00:00:00","date_gmt":"2008-01-27T23:00:00","guid":{"rendered":"http:\/\/gmk.esbe.com.hr\/news\/almut-rink-zona-kontakta-142-2232008\/"},"modified":"2008-01-28T00:00:00","modified_gmt":"2008-01-27T23:00:00","slug":"almut-rink-zona-kontakta-142-2232008","status":"publish","type":"post","link":"https:\/\/g-mk.hr\/en\/news\/almut-rink-zona-kontakta-142-2232008\/","title":{"rendered":"< g-mk production hub > Almut Rink: Contact Zone, 14.2.-22.3.2008."},"content":{"rendered":"<p>After the period spent on Brijuni Islands in the framework of G-MK research- residency program in March 2007, Austrian artist Almut Rink presents new project Contact Zone, a video-installation showing her own subjective and selective approach to Brijuni island. The artist is reading the island by it&rsquo;s historical footprints: the perception of spaces and animals on the island. The animals Tito was collecting on the island, are to a certain degree anthropomorphized and therefore unreal. They were nonetheless &ldquo;authentic&rdquo; by being apt projections of modern anxieties- particularly the desire to transcend an over civilized, artificial existence and experience real, even primal, sensations. <br \/>In Contact Zone the line between fact and fiction is repeatedly crossed, using strategies of commentary and mystification taken over from a cinematic representation of wilderness. A network of multiple references is arising by questioning the environment from an animal-point of view &ndash; what the landscape looks like, why it looks like it does, what it is, how do we define it?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>After the period spent on Brijuni Islands in the framework of G-MK research- residency program in March 2007, Austrian artist Almut Rink presents new project Contact Zone, a video-installation showing her own subjective and selective approach to Brijuni island. The artist is reading the island by it&rsquo;s historical footprints: the perception of spaces and animals [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4686,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-5542","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/g-mk.hr\/en\/wp-json\/wp\/v2\/posts\/5542"}],"collection":[{"href":"https:\/\/g-mk.hr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/g-mk.hr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/g-mk.hr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/g-mk.hr\/en\/wp-json\/wp\/v2\/comments?post=5542"}],"version-history":[{"count":0,"href":"https:\/\/g-mk.hr\/en\/wp-json\/wp\/v2\/posts\/5542\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/g-mk.hr\/en\/wp-json\/wp\/v2\/media\/4686"}],"wp:attachment":[{"href":"https:\/\/g-mk.hr\/en\/wp-json\/wp\/v2\/media?parent=5542"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/g-mk.hr\/en\/wp-json\/wp\/v2\/categories?post=5542"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/g-mk.hr\/en\/wp-json\/wp\/v2\/tags?post=5542"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}