{"id":7080,"date":"2023-09-20T17:08:34","date_gmt":"2023-09-20T15:08:34","guid":{"rendered":"https:\/\/g-mk.hr\/?p=7080"},"modified":"2023-09-20T17:08:34","modified_gmt":"2023-09-20T15:08:34","slug":"organ-vida-off-year-anni-puolakka-tarren-johnson-joel-cocks","status":"publish","type":"post","link":"https:\/\/g-mk.hr\/en\/news\/organ-vida-off-year-anni-puolakka-tarren-johnson-joel-cocks\/","title":{"rendered":"Organ Vida Off year: Anni Puolakka, Tarren Johnson &#038; Joel Cocks"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">After the successful completion of the 12th edition of the Organ Vida festival, we present the program of the third festival&#8217;s off year, in which we continue to explore experimental artistic practices that, using various technologies and media, open up space for new interpretations and provide us with a deeper understanding of the role of the image.<\/p>\n<p><\/span><span style=\"font-weight: 400;\">This year&#8217;s program is dedicated to examining expanded cinema, or exploring the exhibition potential of moving images in the gallery context. The nvited artists \u2014 <\/span><b>Anni Puolakka<\/b><span style=\"font-weight: 400;\">, <\/span><b>Tarren Johnson<\/b><span style=\"font-weight: 400;\">, and <\/span><b>Joel Cocks<\/b><span style=\"font-weight: 400;\"> \u2014 start from their existing audiovisual works and expand them into gallery spaces through interaction with other media such as text, performance, and installation. The authors consciously play with lo-fi aesthetics and autofiction, becoming characters in their comically intricate and unconventional narratives. Mundane life situations and everyday experiences take on strange dimensions or acquire supernatural and fantastic characteristics. <\/span><span style=\"font-weight: 400;\">In the Miroslav Kraljevi\u0107 Gallery we will present an exhibition of recent video works by Anni Puolakka and the performance\/installation by Tarren Johnson and Joel Cocks.<\/p>\n<p><strong>ANNI PUOLAKKA: HEART MILK\u00a0<\/strong><br \/>\n<strong>8-ica<br \/>\n26\/09 at 20:00<\/strong><br \/>\n[The exhibition is open until September 30 during gallery hours.]<\/p>\n<p><\/span><span style=\"font-weight: 400;\">The works of Finnish artist Anni Puolakka blur the lines between autobiography and fiction, and are grounded in their observations, experiences, and fantasies. They explore the relationship between humans, other living organisms, and the environment. Puolakka&#8217;s videos often feature anthropomorphized mammals, parasites, or other predatory organisms that they embody or give voice to. By subverting the roles typical of a species or fetishizing behaviors shared among different species, the artist aims to open new perspectives that have the potential to destabilize existing hierarchies among various living organisms.<\/p>\n<p><\/span>Heart Milk <span style=\"font-weight: 400;\">comprises an installation based on three video works: &#8220;Milk Park,&#8221; &#8220;From the Heart,&#8221; and &#8220;Diamond Belly.&#8221; Starting from breastfeeding and the collective discomfort it typically provokes when taking place in a public space (&#8220;Milk Park&#8221;), in videos &#8220;From the Heart&#8221; and &#8220;Diamond Belly,&#8221; the artist expands their exploration of the relationship between extraction and corporeality. <\/span><span style=\"font-weight: 400;\">I<\/span><span style=\"font-weight: 400;\">n &#8216;From the Heart,&#8217; the artist offers the audience the perspective of an enthusiastic heart parasite, while in &#8216;Diamond Belly,&#8217; they surrender their body to the bloodthirsty mosquitoes.<\/p>\n<p><\/span>Anni Puolakka<span style=\"font-weight: 400;\"> is a Helsinki-based artist. Their works play with the boundaries and potential of humans as they seek meaningful involvement with other beings and materials. Puolakka experiments with theatrical and cinematic traditions as well as contemporary methods through performance, videos, installations, drawings and texts in which documentary materials are incorporated into fictional worlds. Their works have recently been shown at ARS22 exhibition at Museum of Contemporary Art Kiasma (Helsinki), Eye Film Museum (Amsterdam), Baltic Triennial 14 (Vilnius) and BOZAR (Brussels). They received the Finnish State Art Prize in 2022.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><strong>TARREN JOHNSON &amp; JOEL COCKS: CORNELIA&#8217;S ROOM<br \/>\nGMK<br \/>\n26\/09 at 20:00<\/p>\n<p><\/strong><\/span><span style=\"font-weight: 400;\">A play by Tarren Johnson &amp; Joel Cocks<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Performed by Medhi Hamadouchi and Salber Lee Williams<\/p>\n<p><\/span><span style=\"font-weight: 400;\">Free admission, no registration required.<\/p>\n<p><\/span><span style=\"font-weight: 400;\">&#8220;Cornelia&#8217;s Room&#8221; is a distinctive interpretation of the comedy of conversation. Set in an interior that resembles both a medieval chamber and a typical suburban American living room, the performance convincingly captures the grandeur of a court and the casualness of middle-class living space. The plot follows Ivor&#8217;s questionably successful attempts to articulate his feelings toward the rightfully skeptical Cornelia. Are Ivor&#8217;s unkept promises and neglected oaths merely unfortunate misunderstandings that will eventually be forgiven as a clumsy beginning of a great love story, or are his grandiose romantic projections a problem that should be addressed in therapy? We shall see! The making of &#8220;Cornelia&#8217;s Room&#8221; was filmed and will be the subject of the sixth episode of Dripfeed, titled &#8220;Liminal Banquet.<\/p>\n<p><\/span><span style=\"font-weight: 400;\">Dripfeed.tv (2018\u2013Ongoing) is a performance practice and video series by Tarren Johnson and Joel Cocks that uses fragments of scripted material and costumes as the foundation for a dialog with the surrounding circumstances. Often unrehearsed and filmed in public places, the text is used as a prompt that leads to momentary transformations and interactions captured through various mediums simultaneously. The episodes are characterized by layered, fragmented, and repetitive editing, voice overs blur into dialogues, lines are repeated by several characters.<br \/>\n______________________________________<\/p>\n<p><\/span><span style=\"font-weight: 400;\">Curators: Barbara Gregov, Lovro Japund\u017ei\u0107, Lea Vene.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Design: Alma \u0160avar<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Technical support: Marin Kova\u010devi\u0107<br \/>\n<\/span><span style=\"font-weight: 400;\">Photography: Ive Trojanovi\u0107<\/p>\n<p><\/span><span style=\"font-weight: 400;\">The program is supported by:<br \/>\nThe Ministry of Culture and Media of the Republic of Croatia, City Office for Culture and Civil Society<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Organ Vida Off year program is dedicated to examining expanded cinema, or exploring the exhibition potential of moving images in the gallery context. The invited artists \u2014 Anni Puolakka, Tarren Johnson and Joel Cocks \u2014 start from their existing audiovisual works and expand them into gallery spaces through interaction with other media such as text, performance, and installation.<\/p>\n","protected":false},"author":8,"featured_media":7077,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26,22,4],"tags":[],"class_list":["post-7080","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-exhibition","category-news"],"_links":{"self":[{"href":"https:\/\/g-mk.hr\/en\/wp-json\/wp\/v2\/posts\/7080"}],"collection":[{"href":"https:\/\/g-mk.hr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/g-mk.hr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/g-mk.hr\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/g-mk.hr\/en\/wp-json\/wp\/v2\/comments?post=7080"}],"version-history":[{"count":0,"href":"https:\/\/g-mk.hr\/en\/wp-json\/wp\/v2\/posts\/7080\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/g-mk.hr\/en\/wp-json\/wp\/v2\/media\/7077"}],"wp:attachment":[{"href":"https:\/\/g-mk.hr\/en\/wp-json\/wp\/v2\/media?parent=7080"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/g-mk.hr\/en\/wp-json\/wp\/v2\/categories?post=7080"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/g-mk.hr\/en\/wp-json\/wp\/v2\/tags?post=7080"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}