A departure from any premeditated scheme, or, moreover, from an anticipated final structure, coupled with a masterly controlled creative process and clearly focused intuition, stands in the core of Maja šeparović’s way of making jewellery. Out of the long process of patient and precise work the amorphous shapes appear, seemingly resisting to be tied up […] Više
/preface available only in German/ KEIN FRÜHSTÜCK IM GRÜNEN Ist Freiheit die Spannung zwischen Wirklichkeit und meiner Vorstellung? Oder is Freiheit bloß die Ziffer für einen gemeinsamen Aspekt der verschiedenen Unfreiheiten?
Oswald Wiener
Die Straßen in W.W. Angers Installation IMPORT – EXPORT – FREIZEIT sind die Träger eines Freiheitsversprechens und erweisen sich, spätestens […] Više
There are painters who express their observation of reality through so called representation. There are painters who express their feelings and or attitude toward reality through abstracting its literal form. There are those who combine these approaches. What is perhaps most arresting about James Juett’s work is the multifarious mischief with which he represents through […] Više
Flower Square, March 2-9, 1999 Eleven objects entitled My Apartment (1997/98) have been exhibited in eleven shop windows in the Flower Square in Zagreb. Each consisting of two slides, two slide-visors and Styrofoam. Dimensions: 11 x 23 x 5 cm.
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A Few Notes From The Edge Once upon .. Once upon a time .. Can such a beginning point to something “without time and without place”? Can anything be without time and without place; is this indeed possible in – this in is already a place – space, society, or living nature? Perhaps as a […] Više
Two series of works that Antun Maracic is now exhibiting – Cro Car Crash Chronicle, after War/hol (Galerija prosirenih medija) and Roadside Monuments (Miroslav Kraljevic Gallery) – came into being independently of each other. Roadside Monuments were, as the artist himself claims, conceived earlier, extensively, without firm plan or purpose. “It was the motif that […] Više
